![]() ![]() 20, has a proven historical weakness for this type of nakedly sentimental material, particularly when it comes from young Brits with show-stopping voices - see Ed Sheeran, Adele and Sam Smith, all of whom have won song of the year with tunes that might have been composed decades ago. The Recording Academy, which will announce nominations on Nov. Capaldi himself is tipped for a best new artist nod. Now “Someone You Loved” - the key track from Capaldi’s debut album, “Divinely Uninspired to a Hellish Extent” - is in the running for January’s Grammy Awards, with music-industry insiders speculating about its chances of being nominated for song and record of the year. to present Capaldi with a plaque commemorating the song’s latest sales achievement. “Look at the records around it on Spotify, globally or in the U.S.,” said Capitol Records Group chairman and CEO Steve Barnett, who traveled to Boston from L.A. 3 on Billboard’s Hot 100, propelled by countless radio spins and more than 750 million streams on YouTube and Spotify - highly unusual numbers for a stripped-down ballad at a moment when the Top 40 is crowded with busy hip-hop tracks by the likes of Post Malone and Travis Scott. “I’m like, I need to get Trippie Redd on this just to spice it up.”Īn unvarnished confessional with a yearning sing-along melody, “Someone You Loved” spent seven weeks at No. “And every night I always look around at that point hoping no one heckles me: ‘You’re doing a good job of it!’” mock-hollered the singer, who looks like a slightly doughier Paul McCartney circa “Rubber Soul.” Dressed in a T-shirt and rumpled windbreaker, he ran a hand through his tousled hair and grinned. For the rest of us, it’s a tonic.Over breakfast in Boston that morning, he’d said there’s a section in the middle of his live show in which he does three slow songs right in a row the third, “ Headspace,” has a lyric that pleads, “Sing me a song and send me to sleep.” If you’ve recently experienced heartbreak, your prescription is thus: take once a week with plenty of water do not exceed the stated dose. There isn’t a single shock over these 12 tracks, all of which sound, essentially, like Adele songs, but the nods to Hollywood scores, 1960s soul and even her own back catalogue inject the melodrama needed to pull off the more languished ballads. Nonetheless, you'd listen to Adele sing the phone book, even at this funereal pace. The almost seven-minute To Be Loved is as drawn out as a Taylor Swift short film, which will nourish the grief tourists and annoy the daylights out of anyone who wants to get on with it. Can I Get It swaps piano balladry for steely acoustic guitars and whistles, but while the background whoops in the verses might be a homage to Serge Gainsbourg, the chorus is more like Ed Sheeran at his most chart-focused. The thumping bass drum and handclaps of Oh My God hark back to the era of Rolling in the Deep, when she was caught up in the post-Amy Winehouse frenzy of jazz-inspired chart singers. Sonically, at least, it's not all doom and gloom. It’s a welcome injection of Adele the likable celebrity-who’s-just-like-us, before she batters us with woe again. “All right, then, I’m ready,” she says at the close of the song. Sweeping strings, mournful organ and Adele’s signature vocal range comfortably move through the paces. ![]() ![]() “I’ll be taking flowers to the cemetery of my heart,” she begins on Strangers by Nature, played with all the warm timbre of an old gramophone. What is on Adele Adkins’s mind at 33? The same heartbreak that fuelled her breakthrough, with 21, and shot her to global stardom, with 25, persists on 30, a record of melodrama, ballads and a hint of 1960s soul. Or you might be waiting for the delivery of some other artist's LP, cursing pop music and everything it stands for because Adele decided to press 500,000 copies of her latest album during a vinyl shortage. What is your relationship with Adele? Maybe you're one of the 277-odd million people who have streamed Easy on Me on Spotify, awaiting a return to permissible (even encouraged) long-form heartbreak.
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